WELCOME TO MY BLOG!

Hi everyone, it's me MIU!

Half-Japanese and half-Thai, I'm a free-lance semi-professional MODEL and ARTISTE based in Amsterdam, the Netherlands. I have lived in the UK for 12 years previous to that, where my modelling career was born in 2008.

Apart from working all over the UK and Holland, assignments have taken me to Belgium, Germany, Spain, France, Sweden, Ireland and, of course, my hometown Japan!

I started as a life model posing nude for artists in the late 90s and eventually put myself in front of the cameras as a glamour model and became involved in car shows and hostessing parties and events in the UK. Easily bored with the same old routine I like to vary my work. Today, much of my work lie with nude, fetish, alternative, and erotic art.

For more information, you can also find me on: http://www.minimiumodel.com/

I love to document all my shoots and events to reflect what a great time I'm having and meeting all sorts of people. Some entries may be delayed since the shoot due to waiting for edited images or just being "busy". But I do my best!

HOPE YOU ENJOY READING!!

Thursday, 15 December 2011

"Open White" Shoot with Antonio Taccone

I still do visit the U.K. from time to time since shifting my residence to the Netherlands. Becoming exhausted with traveling extensively around the country like I used to (getting too old!), I now shoot in London only, where I go every month to visit my mother. I was therefore very lucky that my schedule happened to coincide with that of Antonio Taccone, a professional photographer visiting from Italy for work! Antonio contacted me out of the blue on Model Mayhem and invited me to shoot with him. Apart from capturing beautiful images with the most gorgeous models, he also works for the world's major photo and press agencies. Impressed with his credentials and his wonderful work, I was most chuffed he wanted to collaborate with me!

The main thrust of the shoot was his project called Open White. Involving the use of high-key lighting and infinite white background, the images would all be in black and white but with soft textures. Antonio's inspiration evolved from a film called "Open Water" in which two submarines were abandoned in the middle of a sea. Just as the subs themselves were lost in the blue, the models were to be lost in the white. He imaginatively described the project as: "the body is present, visible but there is only a feeling; the most important is the look and the face of the model. An elegant, intimate portrait." The Open White theme was to be primarily nude but involving one item with which we could use as a prop. Taking a look at some of his samples, I couldn't wait to pursue this! We agreed to shoot on 2 December 2011.

Prior to the shoot, Antonio briefed me on the preparation. I was instructed to bring a favorite item with which we could use as prop as well as some black lingerie. I chose a long string of pearls which would blend perfectly with the soft mood. As we were doing a high-key lit B&W shoot, I was advised to wear light make-up, more precisely sky-blue or crystal-violet eyeshadow and magenta lipstick. No reds or yellows, I was told, as this would make it difficult to adjust the color tones of the images without affecting the skin tone during the editing process. Even as a trained make-up artist, I never knew this. Wow, you do learn a new thing everyday!

Antonio picked me up from Wembley Park tube station in London. Despite his professional experience, he was a very unassuming, hospitable and a warm-hearted gentleman and I immediately felt at ease. We chatted about Italy as I shared some of my travelling experience there. We walked to his hotel, whilst shopping by Tesco's on the way to pick up some snacks. Once we arrived there, we had some bite to eat whilst preparing the set. We used the two single beds which we pushed together to make a big one, all covered with white sheets and scattered with huge white pillows. Then Antonio initiated an "introductory" warm-up shoot to help me loosen up as well as for him to get an idea of of my natural expressions and from which angle to best capture me.

I admired the way in which Antonio was direct and precise in his directions. It shows he knows what he wants out of the images and his determination to create the best quality. Whilst shooting we also experimented on me posing from various angles from the light and different distances from the camera. Antonio, in the middle of a set, also downloaded the images on his laptop from which we would assess what sort of images worked and how we could improve on them. Plus I get to see how well the results turn out! I also had a lot of fun observing how he cropped the images and manipulated the lighting on photoshop which didn't need much doing anyhow. Most importantly, he emphasized on blurring out the "explicit bits" to create a subtly erotic mood with facial expressions being the main focus.

We worked on various nude images with single props being used to add some accent. The feeling of being "lost" in the white and clutching onto the one item we treasure. First was the pearl necklace. Then I had a pair of stilettos which I used to take on and off, as if I were "undressing" in the nude. I also had a black faux-fur scarf which I cuddled in. We even worked with my mobile phone (along with the bling-bling Hello Kitty cover) with which I had to pretend to be taking photos of myself whilst pulling my panties to one side and teasingly exposing myself little.

It was very ingenious of Antonio to suggest doing the lingerie sets at the end of the shoots. Most of the time, it is the other way around as we feel the need to build comfort and rapport covered up initially before stripping off. However the disadvantage is that tighter clothing, especially bras or fishnet hosiery, leave pressed marks onto the skin, taking hours to fade.

We called it a day after 3 productive hours. Although the shoot was so intense which left me exhausted, it was worth every minute. We hit it off really well and, in fact, I must've made quite an impression on him as he text me the following day and asked me if I wanted to shoot with him on Sunday too! It was of course an offer I couldn't refuse so I went along. As I was already accustomed to Antonio already, I felt more relaxed for this second shoot. This time, I brought a pretty Japanese folding fan. Although he asked me to bring a corset, I didn't have one with me in London, so I brought along a pair of stockings with suspenders.

On both occasions, I thoroughly enjoyed working with Antonio. From what he had shown me, I am very pleased with the results. He has given me a couple of edited images right after the shoot, and I look forward to receiving more. I hope to be working with him again when he is visiting London next. Thanks so much, Antonio, for your time and for creating some beautiful images!

For more of Antonio's work, have a look at his website!

Saturday, 3 December 2011

Kinbaku Experience in Tokyo

As they say, when in Rome do as the Romans do. So I took the opportunity whilst in Japan in October to indulge in the ultimate Kinbaku experience. I'm not always certain whether Kinbaku or Shibari would be more appropriate to use, but Wikipedia suggests that Kinbaku literally means "tight binding" and that Kinbaku-bi means "the beauty/art of tight binding", whereas Shibari was a word coined in the West in the 1990s to merely mean "(to) tie". Thus from now on, I should really be referring Japanese rope bondage as "Kinbaku".

I got in touch with the rigger from Fetlife. He is known as Nuitdetokyo, a very well-mannered and intelligent Frenchman who has been living in Japan for decades. We got in touch through Fetlife when I was announcing my arrival to Tokyo to seek social events and make some new friends. Nuitdetokyo practises Kinbaku as a pastime and works closely with well-known Kinbaku-shi (riggers) in Japan.

With the Kinbaku experience of course came the photoshoot. Nuitdetokyo was very kind to arrange one with a young but experienced German photographer called Thomas who was living in Tokyo, and the date was set for Sunday 2 October 2011 at Nuitdetokyo's studio. He picked me up at Akebonobashi subway station. Just as in our correspondence on Fetlife, he was a very pleasant gentleman. He even bought us all some delicious take-away sushi
and Japanese sweets (wa-gashi) we can all have for lunch which was most generous of him.

Arriving at his place, which was a spacious Japanese-style house, I was introduced to his friend who helped me. I was to choose an outfit from the closet, and naturally I chose a yukata. We had some coffee and some food and was ready to roll!

After discussions over lighting and scenery, we found a perfect spot. It was the tokonoma, or an alcove few inches above ground typically found in Japanese rooms to display ornaments and scrolls of caligraphy paintings. Nuitdetokyo proceeded in tying me up with the rope. I was most impressed at his skill at doing it at quick succession with one frame of tying after another, while Thomas captured the images from various angles.

I have to say I noticed a difference how things are done in Japan. For instance, I was surprised to see how in Japan the ropework looks more haphazard and uneven at times whereas in say Europe it tends to be more symetrical, some involving meticulous weaving or coloured ropes! I believe this is because in Japan, focus is made more on the bondage rather than trying to create effect through pretty patterns or the artwork of the tying. In Japan, it's more about the bondage itself and the whole picture which creates the art.

We did about three sets in total. After the tokonoma set, we did a floor series where I'd be sitting down and getting tied up on the floor and then ending up lying down (first picture) with my hands bound from behind and gagged with both knees bent and tied up which is known as futo-momo (thick thighs).

The final one was me eventually getting suspended. It was a bit of a challenge for me as I was being suspended from behind whilst still standing and with one leg further being further bound in futo-momo style. In the past, much of the suspension involved me lying down either on my back or my side which tends to even out the weight and hence be more comfortable. At some point, I might have moved my right arm which caused the rope to get displaced and poke into my radial nerve and cause it to numb.
A few sessions with the local accupunturist and positive attitude helped heal the trapped nerve. In fact,
when I clicked my hand suddenly whilst practicing with a whip for fun, the nerve somewhat "snapped into place" accelerating the healing. It only took a few weeks for the hand to recover completely but this is the risk one takes when doing rope bondage. Nuitdetokyo was very kind and sympathetic when I voiced my concerns and in fact took his time to analyse the injury through the pictures taken. The next time I become involved in Kinbaku, we need to be more observant!

Despite this, I was very pleased with the results of the photoshoot. Thomas captured the images so effectively by shooting from different and the correct angles. He knew exactly what is expected from a Kinbaku session in which he must get the lighting right from the start and be very quick to snap the photos. All the photos he processed came out so beautifully. Many thanks to both of them for this challenging experience!

Although Thomas has returned to Germany, I do look forward to catching up with Nuitdetokyo again when I'm in Tokyo next.

For more photos of this wonderful shoot, please click on to my Flickr page

Saturday, 19 November 2011

A Day in Nagoya with Shogunmaster


Oops sorry for this long break again! I was ill with a nasty cold the last couple of weeks. Then got busy with stuff I had put off doing as was too ill to bother. Still got a few more shoots in Japan to blog about which am sure you're all dying to read! This time, I'll be writing about my shoot in Nagoya, where I arranged to stop by on my way back from a family visit in Osaka. Jeffrey Johnson, otherwise known as "Shogunmaster" is an American photographer based there with whom I connected through Fetlife and then began corresponding on Facebook. Whilst an expert on event photography, such as car and fashion shows, he also photographs models. I really like his outdoors work especially as he takes advantage of the typically "Japanese metropolis" be it all the tall buildings or the street. Before leaving for Japan, we scheduled our shoot for 28 September 2011.
I took a shinkansen (Bullet Train), a smooth one hour journey, from Osaka to Nagoya, where Jeff picked me up. He was just as friendly, gregarious and funny as his conversations were on Facebook and we both hit it off immediately. Lugging all our bags on this warm sunny day, we took the metro to the city centre for some coffee. It was well over 20°C which was unusually warm for late September and I was still in my shorts and tank-top! I myself have been to Nagoya once when I was a kid but don't remember much of it. Still it was a friendly city, much like Tokyo in terms of scenery though on a smaller scale.

After coffee, we walked to an office block where I got changed in the public toilet. I disappeared in my scruffy sweaty backpacker attire and reappeared looking like a princess in a hot-pink strapless body-con evening dress with sequined ruffles in the front. I felt like Cinderella! The dress was designed and made Farzana Warasta, one of my closest friends in Amsterdam. Then we wandered off to a parking lot in one of the smaller streets, where there were some grafitti on the walls. We did quite a few fashion shoots there whilst adding some humour with me posing with a "No Parking" cone in Japanese.

Next was another Love Hotel shoot! We arrived to the one that Jeff had in mind but discovered that it was temporarily shut down for refurbishment. So we walked further and found another place. Once in there, we proceeded doing quite a few sets of some goodies Jeff had brought with him. One of them was a cute T-shirt that said "Don't take my photos!!" which we used as a warm-up shoot. Then was a chongsam Chinese dress and a cute frilly lingerie set.

I was dying to do a Uniform Fetish as well. Knowing that Jeff had served in the U.S. Army in Korea prior to coming to Japan, I coaxed him into bringing some of his old uniforms along. The trousers though were just too big for me so we improvised by throwing on the shirt with the cap and combining this with the same blue fishnet hold-ups with matching blue knickers I had worn with the previous set. Now that's sexy! Then Jeff produced an American flag he had kept from his army days, all neatly folded up. I posed behind it in nude although I was initially reluctant to as I didn't want to show any disrespect, but Jeff didn't seem to mind. Living in Europe and hence more exposed to things British, doing something "American" was such a great change!

We called it a day at the hotel. Then we roamed around to look for a hotel for me to stay in that evening and finally found one at reasonable rates. It was approaching sunset and we thought it would be a great idea to shoot at Oasis 21. This building is a huge recreational and commercial complex right in downtown, providing a massive view of modern Nagoya. Still a very warm evening, I was still dressed in my denim shorts and tank top and decided that a "casual fashion" shoot would be an idea. Personally, I thought this set was the best of the day's shoot most likely because I felt more at ease as the weather was cooling down and I was enjoying the fresh air and space around me. Plus, the lighting and the composition of the resulting images were perfect.

It was approaching dinner time and we were getting hungry. Jeff knew the guy who worked at this bar so we proceeded there for some snacks. After having been introduced to the owner, who was very friendly and accommodating, I quickly got changed in the toilet to that pretty pink evening dress I had worn earlier. I have to admit I was a little self-conscious when people were watching me get shot but as soon as I got to the bar and laid across it, I felt more myself! Naughty me...
Our final destination was a karaoke bar! Only this was quite different. It specialised in Cosplay. The bar had a closet full of funky costumes from which customers can pick and choose to wear, ranging from animé to sexy body-con clubwear to of course seira-fuku schoolgirl outfits. The place was even equipped with a tiny changing room with lockers! I wanted to see if they had a Hello Kitty outfit but alas they didn't. Still there were quite a few pretty costumes to choose from but unfortunately, I am not as slim and slightly-built like the average Japanese woman. I nevertheless managed to squeeze into a hot-looking red body-con dress for a femme-fatale look. We went out in the hallway where Jeff took some shots, then I got changed into another sexy outfit, this time with me as a Budweiser Girl in another body-con number. As I write this, I have yet to see how those photos turned out!

It has been a long but fun day of shooting in Nagoya. It is not often that I get to go there and rare for Jeff to have a visiting model from abroad, so we wanted to make the most of it. I very much enjoyed it, am well pleased with the results and look forward to working with him again when I am there next. Thank you so much for your time, Jeff, and Otsukaré-sama!

You can see more photos on this shoot on my Flickr page!
More of Jeff's awesome work can be seen on his Website...

Monday, 7 November 2011

Summertime in Amsterdam


Summertime in Amsterdam, originally uploaded by Mini Miu.

Going back to 6 months ago. Just a quick recap of my shoot last late spring in Amsterdam with Charles van Trappen on 8 May 2011. I worked with him once before 2 years ago and was so pleased with his work that I decided to go for another! Wow two years and how my style has changed. Last time, it was just swimwear, lingerie and "art nude" but this time we decided to go for something more crazy and quirky, even more daring in the nude....

And you gotta love his ideas. iPhone in front of my private bits and adding the eye on the touch screen, a straw coming out of my boobs as if I'm feeding myself milk, and brandishing a rifle half dressed in the middle of a skyscraper. Those were a few of Charles cool ideas. Yep am up for em!

At the time, I also needed some swimwear shots for my portfolio. It was a very warm spring we had, it felt like summer already. But alas, the warmth wasn't too last as a wet summer followed with days, weeks and months of rain and below-20℃ temperatures. On the day, I managed to pose in two swimwear, one green and another in teal.

I also had a make-up artist with me. Kudos to Yachar Dabboussi who was recommended by Charles. A friendly and gifted artist, she also did my hair. And I loved how she did my eyes! I normally do my own make-up and hair but I was getting in a rut with the same look so decided to try something different.

I look forward to working with Charles again soon. Though it took some weeks to get the images, I was pleased with the results, including the post-production. Worth the wait! We now need to get our thinking caps on for the next shoot and come up with some more quirky ideas. We hope to shoot again once the weather warms up. And hopefully it will be a much better summer than the last one!

Thanks, Charles and Yachar!

For more pics on this awesome shoot, please click on my Flickr page!

More of Charles' work could be seen on his Website.

Thursday, 27 October 2011

"Erotic Japan" Home Shoot with David & Jordi

I had further opportunities to do erotic shoots in Japan which I've been dying to do. After all, Japan is the home for erotica in the Eastern hemisphere! This time, it was to be entirely "Japanese", so to speak, at the comfort of my family's apartment in Tokyo. Enter Spanish professional photographer David Rodriguez Toro who resides in Japan. We managed to connect through mutual friends on Facebook and been corresponding for a few months. Observing his work, I noticed he focuses a lot on creativity with a slight surreal twist which makes it all the more interesting. He was accompanied by another budding photographer, Jordi Olaria Jané, whom David has been taking under his wing. And what wonderful guys they were!

Initially I wanted to do a shoot in a forest nearby where David lives, in the outskirts of Tokyo. He has done a few in the past there and thought I would be daring enough as well myself to try it. In Japan, it is forbidden to be nude in public so it would've been the ultimate thrill for me. However, David expressed his preference to come over to our apartment in Tokyo and shoot, especially as we have a Japanese room equipped with tatami mat floor, windows with shoji doors, oshiire sliding closet and a tokonoma corner. I must admit I was a little gutted not being able to do a nude shoot outdoors but it turned out for even better!

I had a few yukata's I purchased from a local charity shop. At this point, I was unsure about using my family heirloom kimonos mum kept very carefully, especially for something as explicit as an erotic shoot. Perhaps one day I'd like to a proper traditional kimono shoot, complete with hair and make-up, when I find someone that could give me a hand...

I picked up David and Jordi at Meguro train station and took a short bus ride to our apartment. Interestingly enough both felt more confident speaking in Japanese than English, and even with my limited Spanish which I had learnt at night school years ago, they still preferred to communiate in Japanese. Both were initially quite shy but eventually we all became comfortable with one another. And very polite and professionally-mannered they were!

We started with a warm-up shoot. I would be hidden behind the net curtains sitting on the window ledge, almost nude but partly covered up with a white and blue yukata. After David had taken a few shots, it was Jordi's turn. He had this ingenious idea of me fiddling around with my clothes on the washing line, namely my bra and panties. It added to the contrast of Western-style lingerie with the traditional Japanese attire I was wearing. David then developed this idea of throwing the white bra on the floor and photographing it amidst the reflected lines from shadows of the curtains. It was the only image during our shoot that would be permissible on Facebook!

Once we all felt comfortable, we got down to business! Whilst semi-dressed in the same yukata, I got tied shibari-style with a rope in the form of a chest harness. David is not a professional rigger so it was of course quite loosely done and clearly for effect. We naturally chose the tatami room as our set, close to the window for the light and of course because we wanted to display also the shoji, which are the traditional inner doors with latticed wooden frames covered in white paper. I lay on the tatami floor looking serene yet sensual despite being bound in rope. Am I to enjoy it? Or am I to accept in despair? That's open to the viewer's interpretation.

Next set, I changed into a more formal-looking yukata. A colourfully reddish pretty one. Still using the same tatami room, we abandoned the shibari-style bondage and continued with erotic poses as we aimed to focus on the beauty of the outfit. At one point we also shot some POV (point of view) shoots where David would be my "partner" and putting his hand on me. I don't normally let photographers touch me at all, but we agreed that this was for merely for effect and considering David's status as a professional photographer in Japan and with Jordi in the room, I knew I could trust the guy completely. And I must say the images turned out beautifully!

Now to the the third set. We decided to take advantage of the apartment balcony overlooking the residential neighbourhood. I changed into another outfit, and this time it was the under-garment of a kimono, a lightweight flowery pink cotton gown. In the old days, we didn't wear knickers & bras under our outfits! We wore instead these under-garments for warmth in the winter and for protecting our clothes from perspiration in the summer. I gather that David read my mind as we decided to shoot me discreetly flashing with my back to the outside world. And boy was that fun! I was in fact determined to do at least one naughty outdoors nude shoot before leaving Japan. My disappointment at not being able to shoot nude in the forest immediately disappeared. This was even better! I've done plenty of nude forest shoots in the past anyways so it was a great change to do one with the scene of Tokyo behind me.

And the final set. Naked me standing inside a closet full of clothes! Being in Japan, it was a rather small closet, so small in fact that even I had to bend over and get into it. The floor of the closet was made of thin wood so I had to be extra careful treading inside it in case my big foot went through it made a big hole. Nevertheless, the image turned out rather well although all the clothes were in plastic garment covers.

By then we decided to call it a day. I thoroughly enjoyed working with David and Jordi. Though David was mainly shooting, I was more than happy to have Jordi shoot me as well as he wishes to gain experience working with models and expand his portfolio. Much of his work has been focused on events and places. All the best to him! David has a good eye for artistic photography so I was very excited to work with him as he has brilliant ideas and captures them beautifully. When I'm in Tokyo again next year, I would definitely work with them again! Thank you so much for your time and I look forward to the next one!!

For more pics from this beatiful shoot, please click onto my Flickr page!

More of David's work can be seen on his website.
Jordi's work can also be seen on his Flickr page


Sunday, 16 October 2011

Going Underground in Tokyo with James Drew

So my first two photoshoots in Tokyo involved street fashion, both daytime and evening. For the third shoot, though, I decided to exploit the wild and wicked side of me by entering into Japan's erotica realm. Interestingly, Japan keeps pornography under wraps as seen in all the "pixilated bits" in magazines and films, and even I, the uber-exhibitionist I am, was not prepared to risk taking my kit off in public as I otherwise would in Europe and UK. That said, with love hotels casually scattered even in the most upscale residential areas, and places like the lively Kabuki-cho curiously managing to avoid oozing the sort of sleaze seen in Europe's red light districts, I must say the country is an interesting paradox.

For that reason, I couldn't wait to do some erotic shoots in Japan. And what setting could be more perfect than those love hotels! So what is a "love hotel", you ask. Almost comparable to motels in the U.S., it is where couples can cheaply rent a room for either a few hours (or overnight) when one's own home is not possible. Enough said! Having shot in a luxurious 5-star Hilton in Brussels as well as a 70s-style decor Travelodge in Gloucester, I figured love hotels would the Japanese alternative to a "sleazy motel" set. Seedy yet luxurious, and the gaudier the better. One such photographer who made this possible was James Drew (known as Kakko-eroi), an American living in Tokyo.
We somewhat connected throug h Flickr a few years ago when I came across his work. Edgy yet sensual, his photos somewhat portray a mysterious underground vibe through clever use of lens and angles and light-handed post-production manipulation like cropping and colour. As such, he successfully manages to capture traditional Japanese eroticism whilst introducing the modern Westernised ideals of "hot and sexy". So is it glamour? Is it fetish? Or erotica? I think it's hard to pigeon hole his work into one category. Whatever it was, I just couldn't wait to work with the guy!

After having put off my trip to Japan for years and hence procrastinating my shoot with James, I finally made the decision to go.
Few emails exchanged, and it was as soon as I arrived in Tokyo that I contacted him. Out of courtesy, he was kind enough to invite me for lunch to introduce himself, put me at ease and discuss ideas. He was just as pleasant and friendly as he has been in his e-mails with a professional yet casual approach. So we set the shoot for that Friday, 23 September 2o11.

James picked me up at the hotel I was staying for a few days. After selecting the outfits to take along to the set, we took a taxi to a rather famous and fancy love hotel in the upmarket Azabu Juban area. Knowing his style, I grabbed some thigh high boots, heels, fishnet and PVC clothes and lingerie and slapped on some heavy eye-make up to look as bitchy as possible. And boy was I ready for some bitchy action!

Like a lot of love hotels, the place had rooms each of it's own theme and character. We were pleased to discover that the BDSM "dungeon" was available. Apart from a big bed, the room had a bondage bench and the grey concerete wall was adorned with ropes, chains, collars and whips hanging from it. We were expecting James' friend to join us later to assist with the lighting so meanwhile we decided to do a warm-up shoot with me wearing a PVC one piece micro-dress with fishnet stockings. At one point, I grabbed a ballgag from the wall but in the interest of hygiene, pretended to be biting into it rather than wear one.

As soon as his assistant arrived, I changed into another outfit. A fishnet top with attached suspender fasteners and matching fishnet knickers I had purchased earlier on at a sexshop in Shibuya. I have to say I have been amazed at the number of outrageous lingerie and abundant variety of hosiery available in Japan, though many are imported from the U.S. Either Japan has changed, or I have. We went around the hallway looking for ideal areas to shoot such as the staircase and finally landed in a narrow elevator! The glowing buttons on the wall amid the dark lighting made such an ideal background.
We went back to the room and proceeded to the next set. Now, in every hotel shoot, the toilet should never be missed! What made this one unique to the others I had done in the past was that it was a Japanese-style toilet (benjo), the one where you squat down over the hole on the floor. By then I was clad in a pair of black PVC shorts and a studded open PVC bra. And not to forget the hot-looking thigh high boots to elongate my pins! It was to be a rather voyeuristic shoot from James' viewpoint. Mockingly teasing him while I have my shorts pulled down halfway. Or giving him the "what the f*** you looking at" eyes. And I have to agree with him that the pics from this series came out the best, although I found the other sets also stunning.

And finally, we experimented with James' laser pens. Room lights would be out and a reddish filtered light for effect. James got his assistant to carefully trace the pen around me while I was being captured with a slow shutter speed. This meant staying very still for 15-30 seconds or so. Having been a life model before, I know what staying "very still" is like so it was no difficult task for me! After a few attempts, we finally nailed a few awesome ones. The chain curtains in the background added to the effect as did the sink basin behind me, giving that seedy motel vibe with the green laser light acting as a neon sign around my half-naked body. This would certainly make a great advertisement!

We decided to call it a day and walked to a nearby Teppanyaki restaurant for some dinner. With a lot of ideas brewing, we have been planning more shoots during my stay. But alas, our busy schedules clashing and his catching a flu towards the end of my short prevented this from happening. Such a shame but then again, I will have my next trip to Tokyo in the course of early 2012 to look forward to! By then, ideas will develop further, we'll be more at ease working again together and I'd be better prepared with outfits and being organised with schedules. I have yet to do a naughty Roppongi evening shoot. What I'll be up to will be a surprise so stay tuned!

Thank you so much, James for your collaboration as well as your hospitality. The pictures you have sent me are awesome, and I can't wait to receive more. You're a pleasure to work with and I look forward to the next time!


For more pictures from this saucy shoot, hit me up on my Flickr page.
And more of James' work can be seen on his Flickr page too!

Sunday, 9 October 2011

It's Shibuya Chic with Asian Impressions Photography


Another coincidence! One other photographer happened to be in Tokyo on business during my stay. This time, it was American photographer Teban from Asian Impressions Photography, who is based in Seattle. We had connected some time ago through Twitter and began corresponding. Such a talented photographer with great character and witty sense of humour, I couldn't wait to work with him!

And what is it I like about his work? I really adored that he mainly specialises in photographing Asian women, whether models or the girl next door, and as such knows how to capture their natural beauty. And their beauty radiates not only from the outside but also from within. Teban clearly manages to combine the Western and Asian ideals of beauty and enhances elegance with understated sultriness.

Our schedules closely coincided and in fact, we even barely made it. Teban had already been in Tokyo for a week before I arrived. While I landed in the morning from London, his flight back to Seattle was leaving that midnight. And how crazy was I. So keen was I to shoot with him that I volunteered to work the evening of my arrival, despite an 11-hour flight and 8 time zones later! That evening, though, we had a heavy Typhoon and had to cancel. We were both gutted. But it was a blessing. His midnight flight got postponed till the following afternoon which meant I was able to catch up with some sleep and shoot the next morning! So we decided to meet at the famous Shibuya diagonal crossing on Thursday 22 September 2011.

We only had a couple of hours but it was worth every minute. Good thing about working with Teban is that minimal preparation was needed. Just turn up the way you are with natural make-up, well-groomed and wearing a smile. He likes the natural and fresh-faced. Plus no teetering around town with a rolling luggage full of clothes to change into. So I showed up in a pair of denim shorts and a floral purple hippy-chic top with diamante on the collar area. And shhhhh.... I purchased that for €10 at an Amsterdam's Albert Cuyp flea market! Finally also a pair of comfy platform wedges.

It was only 10 am, and the shops were just about to open. The streets were only half full with some people on their way to work. We walked around the main and backstreets and spontaneously shot. First the bar district, which is street leading to DIY shop "Tokyu Hands", followed by Shibuya's "Sentaa-gai" the infamous shopping street and finally the aforementioned famous Shibuya crossing. It was important that we captured the "typical Shibuya" character as background to make it as "modern Japan" as possible. Being close to 11 am and being a very sunny day, it was at times difficult to find a suitable spot with good natural light but nevertheless we managed to capture a number of beautiful images.

Although the shoot this time was rather brief, Teban travels quite a lot on business. He is expecting to be in Holland during the warmer months of next year so we intend to meet up again and shoot in Amsterdam. It will be fun! And hopefully we'll have more time then to collaborate. Thank you so much Teban for squeezing me in your tight schedule! I look forward to the next time.
For more photos on this shoot, please hit me up on my Flickr pages.
And please also feel free to check out Teban's website